Fire-Toolz – Rainbow Bridge
Rainbow Bridge
Fire-Toolz
May 11, 2020
May 11, 2020
May 13, 2020
May 15, 2020
May 15, 2020
May 28, 2020
June 5, 2020
June 5, 2020
June 5, 2020
June 10, 2020
June 16, 2020
June 17, 2020
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June 23, 2020
June 26, 2020
June 27, 2020
July 1, 2020
July 14, 2020
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July 30, 2020
July 30, 2020
July 31, 2020
August 2, 2020
August 5, 2020
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August 11, 2020
August 14, 2020
August 18, 2020
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August 21, 2020
August 24, 2020
August 25, 2020
August 29, 2020
September 5, 2020
September 5, 2020
September 9, 2020
September 11, 2020
September 14, 2020
September 15, 2020
September 17, 2020
September 21, 2020
September 27, 2020
September 28, 2020
October 13, 2020
October 16, 2020
October 21, 2020
October 29, 2020
October 31, 2020
November 1, 2020
November 5, 2020
November 10, 2020
November 12, 2020
November 23, 2020
November 26, 2020
November 29, 2020
December 4, 2020
December 10, 2020
December 12, 2020
December 15, 2020
December 22, 2020
December 27, 2020
December 30, 2020
December 31, 2020
January 7, 2021
January 9, 2021
January 17, 2021
January 24, 2021
January 31, 2021
February 1, 2021
February 7, 2021
February 18, 2021
February 24, 2021
March 4, 2021
March 11, 2021
March 31, 2021
April 16, 2021
April 20, 2021
May 4, 2021
Liam Murphy
July 10, 2021
Tracks in this feature
Tracks in this release
A thick vapour of sound pours in rapidly, moistening the silence that had preceded it. How Many Times Have I Died Here Before? is rich with emotion from its very beginning. As we travel through the characterising loop, we find each twist and turn in melody brings more sadness and solemnity. One imagines a tumultuous and tear-stained sleep, plagued by one lone repeating vision, blurred by the menagerie of dream. The listener is enveloped by the track. Built upon fragments of mostly forgotten melodies, the two-track EP uses samples taken from a string quartet’s performance of an arioso. An arioso is a solo vocal piece, usually taking place in an opera. This at least gives partway of a reasoning as to how Blanket Swimming produce such a sublime and emotive sound. As we are lulled gently by the notes, the cadences feel reminiscent of a voice. The way the melody winds in on itself at the end, the sustained note slow in its attack. It has the control and nuance of a vocal performance, transformed by the string quartet and subsequently buried in Blanket Swimming’s incredible sampling.
Finally Standing Still sets out a more direct path. A soaring high note, just short of screeching euphoria, pushes toward and away from the listener as if they stand on a gently rocking boat, watching a lighthouse illuminate the dense fog. Augmenting notes weave their way past the travelling note, tinging it ever so slightly. Again, that dreamlike quality is present. The track stands before us, the movements happening just far away enough to be uncanny and unnerving.
The slow pulse and throb of Arioso feels as if it has been moving for an eternity; some great, cloaked force shrouded in darkness. The length of each track gives credence to this feeling, as Blanket Swimming stretches these soundscapes out with such confidence, inviting the listener into this ink-black odyssey. If listened to in the right mood and moment, Arioso provides an intensely cryptical experience.