Twin Columns – Pulpit
Pulpit
Twin Columns
May 1, 2020
May 1, 2020
May 5, 2020
May 6, 2020
May 7, 2020
May 11, 2020
May 13, 2020
May 15, 2020
May 15, 2020
May 28, 2020
June 5, 2020
June 5, 2020
June 5, 2020
June 10, 2020
June 16, 2020
June 17, 2020
June 19, 2020
June 23, 2020
June 26, 2020
June 27, 2020
July 1, 2020
July 14, 2020
July 17, 2020
July 18, 2020
July 20, 2020
July 21, 2020
July 23, 2020
July 24, 2020
July 30, 2020
July 30, 2020
July 31, 2020
August 2, 2020
August 5, 2020
August 7, 2020
August 11, 2020
August 14, 2020
August 18, 2020
August 19, 2020
August 21, 2020
August 24, 2020
August 25, 2020
August 29, 2020
September 5, 2020
September 5, 2020
September 9, 2020
September 11, 2020
September 14, 2020
September 15, 2020
September 17, 2020
September 21, 2020
September 27, 2020
September 28, 2020
October 13, 2020
October 16, 2020
October 21, 2020
October 29, 2020
October 31, 2020
November 1, 2020
November 5, 2020
November 10, 2020
November 12, 2020
November 23, 2020
November 26, 2020
November 29, 2020
December 4, 2020
December 10, 2020
December 12, 2020
December 15, 2020
December 22, 2020
December 27, 2020
December 30, 2020
December 31, 2020
January 7, 2021
January 9, 2021
January 17, 2021
January 24, 2021
January 31, 2021
February 1, 2021
February 7, 2021
February 18, 2021
February 24, 2021
March 4, 2021
March 11, 2021
March 31, 2021
April 16, 2021
April 20, 2021
May 4, 2021
Liam Murphy
August 24, 2020
Tracks in this feature
Tracks in this release
bh’s sitting alone at a party brings us straight into a heaving social atmosphere. Heaving low frequencies mumble as a pair of feet walk towards the door of a party. We hear the door suddenly open, the noises of the crowded room seeping out into the street toward us. From there, the harsh background music becomes a slick and pristine inner monologue. Beautiful trilling melodies pop out through the arpeggiated sound. bh’s voice slides seamlessly into the mix alongside supporting chords from a clean pad.
The lyrics tell a classic story of detachment in a social situation. Spurred on by feelings of unrequited love, the melody bh’s vocals follow hit deep. The sorrowful tones help to conjure an image of someone sitting alone in the throng of a social gathering.
From there, bh floats into a beautiful build up with gentle clapping percussion. The protagonist looks on as the situation in front of them unfolds, bh delivering lyrics tarnished with a selfish naivety. As the admission of loneliness and isolation are asserted. The track falls silent. A stumbling drum roll is suddenly launches us into a infectious rhythmic section. The melody sprays out with more optimism and positivity cushioned by a rumbling bass sequence. This controlled implosion is handled expertly by bh, the percussion that is introduced is hunkered down against the kick drum.
The lyrics too speak with a little more hopefulness. An acceptance of the situation, a desire to be happy in oneself. At this admission, higher pitched melodies are blasted out like celebratory fireworks. The percussion dies away, the melody taken up by beautiful trickling piano notes. A fragile, high pitched voice sings out ‘nobody’s around me, but I don’t wanna go home’, with a gentle delivery. It sounds as if bh has carefully carved away their social mask, exposing the vulnerable nucleus of their soul. Just as it feels as though the last notes have fluttered out away from us, the percussive breakdown reprises. All of its danceable brilliance intact.
In sitting alone at a party, bh tackles an often cliche subject matter with a pure unguardedness that is so enjoyable to listen to. The artist creates a track that seethes with social detachment at the beginning, but then explodes into beautiful percussive fireworks. It is a celebration of feeling, a showcasing of vulnerability, an anthem of acceptance of oneself.