Whettman Chelmets – The Rain, The Pour
The Rain, The Pour
Whettman Chelmets
May 13, 2020
May 13, 2020
May 15, 2020
May 15, 2020
May 28, 2020
June 5, 2020
June 5, 2020
June 5, 2020
June 10, 2020
June 16, 2020
June 17, 2020
June 19, 2020
June 23, 2020
June 26, 2020
June 27, 2020
July 1, 2020
July 14, 2020
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July 30, 2020
July 30, 2020
July 31, 2020
August 2, 2020
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August 18, 2020
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August 21, 2020
August 24, 2020
August 25, 2020
August 29, 2020
September 5, 2020
September 5, 2020
September 9, 2020
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September 14, 2020
September 15, 2020
September 17, 2020
September 21, 2020
September 27, 2020
September 28, 2020
October 13, 2020
October 16, 2020
October 21, 2020
October 29, 2020
October 31, 2020
November 1, 2020
November 5, 2020
November 10, 2020
November 12, 2020
November 23, 2020
November 26, 2020
November 29, 2020
December 4, 2020
December 10, 2020
December 12, 2020
December 15, 2020
December 22, 2020
December 27, 2020
December 30, 2020
December 31, 2020
January 7, 2021
January 9, 2021
January 17, 2021
January 24, 2021
January 31, 2021
February 1, 2021
February 7, 2021
February 18, 2021
February 24, 2021
March 4, 2021
March 11, 2021
March 31, 2021
April 16, 2021
April 20, 2021
May 4, 2021
Liam Murphy
March 20, 2020
Tracks in this feature
Tracks in this release
Treacly bass thuds at the very beginning of Gwan Ireland, pulling streams of fizzling feedback with it as it hits. A beautifully warm piano melody hunkers itself away from the hard-hitting percussion. Sunken Foal wastes no time introducing the listener to the track, a beautiful positive-sounding world envelops us. As the huge snare begins to hit, Sunken Foal finds a swift pace to move at, allowing the synth to open up its frequency range. The melody is graceful and emotive as it travels further and further out into the depths of the mix. Effortlessly combining violent percussive elements with a friendly and familial melody, the artist lets the bass spread itself over the floor of the track for a bit before swiping it up again. The care taken with the drum sequences is evident, ever-changing and engaging, they drop out momentarily. This allows the synth to seep into the mix before falling away. Its a truly unique track that boasts an effortless style and a lot of heart.
The b-side takes a more artificial tact at the start. A calculated algorithm of drum machine hits bubble in front of the listener. The bass hits, showing us a little more of the stereo field. The melody is more sinister this time around, flitting in time with the massive percussion. Voices appear, chopped and syncopated within the rhythm. Beats whir and weasel their way past the spoken samples before the bass drum hits again, taking us back into the infectious rhythm. Spindly notes claw their way up to the top of the piles of sound as a pad-like shroud moves in and out. Voices swipe out at the listener on beat, it sounds like an 80s rap style verse is being spit. But all of the syllables have been chopped and rearranged. It gives the track a real sense of character. The bells reach up in pitch once again, before submerging into a cold synth pad sound. The sample reveals itself at the end, a charismatic MC spits bars until a quintessential British voice says ‘you have a good flight back to America won’t you?’
The two tracks present a tremendous amount of production skill between them. Weaving elaborate melodies with heavy-handed rhythm, Sunken Foal brings a style of electronic dance music that has as much heart as it has beat.
Purchase/listen in full here: https://frontendsynthetics.bandcamp.com/album/gwan-ireland