Twin Columns – Pulpit
Pulpit
Twin Columns
May 1, 2020
May 1, 2020
May 5, 2020
May 6, 2020
May 7, 2020
May 11, 2020
May 13, 2020
May 15, 2020
May 15, 2020
May 28, 2020
June 5, 2020
June 5, 2020
June 5, 2020
June 10, 2020
June 16, 2020
June 17, 2020
June 19, 2020
June 23, 2020
June 26, 2020
June 27, 2020
July 1, 2020
July 14, 2020
July 17, 2020
July 18, 2020
July 20, 2020
July 21, 2020
July 23, 2020
July 24, 2020
July 30, 2020
July 30, 2020
July 31, 2020
August 2, 2020
August 5, 2020
August 7, 2020
August 11, 2020
August 14, 2020
August 18, 2020
August 19, 2020
August 21, 2020
August 24, 2020
August 25, 2020
August 29, 2020
September 5, 2020
September 5, 2020
September 9, 2020
September 11, 2020
September 14, 2020
September 15, 2020
September 17, 2020
September 21, 2020
September 27, 2020
September 28, 2020
October 13, 2020
October 16, 2020
October 21, 2020
October 29, 2020
October 31, 2020
November 1, 2020
November 5, 2020
November 10, 2020
November 12, 2020
November 23, 2020
November 26, 2020
November 29, 2020
December 4, 2020
December 10, 2020
December 12, 2020
December 15, 2020
December 22, 2020
December 27, 2020
December 30, 2020
December 31, 2020
January 7, 2021
January 9, 2021
January 17, 2021
January 24, 2021
January 31, 2021
February 1, 2021
February 7, 2021
February 18, 2021
February 24, 2021
March 4, 2021
March 11, 2021
March 31, 2021
April 16, 2021
April 20, 2021
May 4, 2021
Liam Murphy
February 9, 2023
Tracks in this feature
Tracks in this release
Sometimes the best way to show melancholy is simply through the absence of happiness, rather than overt sadness. This occurs in two ways on the title track of Soul▲Craft’s new release, aptly named Anhedonia. The slightly fuzzed soundbite the listener is treated to inspires those warm feelings of nostalgia old TV/film often does but the contents of what is being said, though giving a slight joviality in its tone, is lacking in positivity. A young girl who’s birthday is ignored by her family and those around her. Equally, though the instrumentation is bright and plays on that same 80s easygoing nostalgia, there’s an inescapable wistful and downbeat energy present in it. Even with the fun, wobbly synth, things feel downbeat. It isn’t a happy melody but rather a poignant one, developing a character that can’t seem to beat feelings of sadness – as the track and album title convey – but is committed to make the best of it.
The next track, entitled Her slow turn, is pensive and dives deeper into feelings of sorrow with fragile melodies conveyed through a generally pleasing MIDIwave sound. Often music of this style can convey this feeling of striving for a happiness that never fully ameliorates. The sound and velocity of the keys always yearning towards an organic passion but falling short of it. Soul▲Craft takes a pained melody that pushes upwards with a determined force, only to fall back into a wistful motif.
There is a sense that we might overcome our bout of Anhedonia as we cruise into the last track. Rollerskating at sunset brings a more textured approach to the MIDI style and, with this, a decidedly more optimistic tone. Low organic-sounding keys thrum out a sturdy rhythm launching into a fun motif with a simply but joyous monophonic lead synth providing an ornate melody. Pad strings float in to give a reassuring backdrop to the strong instrumentation. There’s a modest brightness that wasn’t there before, a sense of promise.
Soul▲Craft achieves a unique mood on the three track EP. Setting out an absence of happiness early on, a narrative is played out over the short time. The MIDI nature of Anhedonia lends itself to a bright, quaint sound, but this is used to communicate a mood that is admissive of melancholy. It is bittersweet, but finds its catharsis in the last moments.