Soshi Takeda - Same Place, Another Time
Same Place, Another Time
Soshi Takeda
January 20, 2022
January 20, 2022
January 25, 2022
January 10, 2022
December 23, 2021
December 16, 2021
December 6, 2021
December 1, 2021
November 11, 2021
November 2, 2021
October 26, 2021
October 20, 2021
September 13, 2021
August 1, 2021
July 10, 2021
June 30, 2021
March 25, 2019
March 25, 2019
May 9, 2019
May 10, 2019
May 13, 2019
May 28, 2019
May 29, 2019
June 11, 2019
June 24, 2019
June 25, 2019
June 27, 2019
July 2, 2019
July 2, 2019
July 12, 2019
July 30, 2019
August 8, 2019
August 23, 2019
August 29, 2019
September 5, 2019
September 10, 2019
September 20, 2019
September 24, 2019
September 30, 2019
October 4, 2019
October 9, 2019
October 10, 2019
October 12, 2019
October 14, 2019
October 14, 2019
October 26, 2019
October 30, 2019
November 4, 2019
November 5, 2019
November 6, 2019
November 11, 2019
November 20, 2019
November 25, 2019
November 27, 2019
December 2, 2019
December 5, 2019
December 20, 2019
December 21, 2019
December 24, 2019
January 7, 2020
January 10, 2020
January 17, 2020
January 19, 2020
January 22, 2020
January 23, 2020
January 31, 2020
February 4, 2020
February 7, 2020
February 17, 2020
February 19, 2020
February 20, 2020
February 29, 2020
March 7, 2020
March 12, 2020
March 13, 2020
March 15, 2020
March 20, 2020
March 20, 2020
March 20, 2020
March 24, 2020
March 27, 2020
March 29, 2020
March 31, 2020
April 6, 2020
April 13, 2020
April 13, 2020
April 18, 2020
April 23, 2020
April 24, 2020
May 1, 2020
May 1, 2020
May 1, 2020
Liam Murphy
February 9, 2023
Tracks in this feature
Tracks in this release
Sometimes the best way to show melancholy is simply through the absence of happiness, rather than overt sadness. This occurs in two ways on the title track of Soul▲Craft’s new release, aptly named Anhedonia. The slightly fuzzed soundbite the listener is treated to inspires those warm feelings of nostalgia old TV/film often does but the contents of what is being said, though giving a slight joviality in its tone, is lacking in positivity. A young girl who’s birthday is ignored by her family and those around her. Equally, though the instrumentation is bright and plays on that same 80s easygoing nostalgia, there’s an inescapable wistful and downbeat energy present in it. Even with the fun, wobbly synth, things feel downbeat. It isn’t a happy melody but rather a poignant one, developing a character that can’t seem to beat feelings of sadness – as the track and album title convey – but is committed to make the best of it.
The next track, entitled Her slow turn, is pensive and dives deeper into feelings of sorrow with fragile melodies conveyed through a generally pleasing MIDIwave sound. Often music of this style can convey this feeling of striving for a happiness that never fully ameliorates. The sound and velocity of the keys always yearning towards an organic passion but falling short of it. Soul▲Craft takes a pained melody that pushes upwards with a determined force, only to fall back into a wistful motif.
There is a sense that we might overcome our bout of Anhedonia as we cruise into the last track. Rollerskating at sunset brings a more textured approach to the MIDI style and, with this, a decidedly more optimistic tone. Low organic-sounding keys thrum out a sturdy rhythm launching into a fun motif with a simply but joyous monophonic lead synth providing an ornate melody. Pad strings float in to give a reassuring backdrop to the strong instrumentation. There’s a modest brightness that wasn’t there before, a sense of promise.
Soul▲Craft achieves a unique mood on the three track EP. Setting out an absence of happiness early on, a narrative is played out over the short time. The MIDI nature of Anhedonia lends itself to a bright, quaint sound, but this is used to communicate a mood that is admissive of melancholy. It is bittersweet, but finds its catharsis in the last moments.