Jeff T Byrd - Nighty Night
Nighty Night
Jeff T Byrd
December 23, 2021
December 23, 2021
December 16, 2021
December 6, 2021
December 1, 2021
November 11, 2021
November 2, 2021
October 26, 2021
October 20, 2021
September 13, 2021
August 1, 2021
July 10, 2021
June 30, 2021
March 25, 2019
March 25, 2019
May 9, 2019
May 10, 2019
May 13, 2019
May 28, 2019
May 29, 2019
June 11, 2019
June 24, 2019
June 25, 2019
June 27, 2019
July 2, 2019
July 2, 2019
July 12, 2019
July 30, 2019
August 8, 2019
August 23, 2019
August 29, 2019
September 5, 2019
September 10, 2019
September 20, 2019
September 24, 2019
September 30, 2019
October 4, 2019
October 9, 2019
October 10, 2019
October 12, 2019
October 14, 2019
October 14, 2019
October 26, 2019
October 30, 2019
November 4, 2019
November 5, 2019
November 6, 2019
November 11, 2019
November 20, 2019
November 25, 2019
November 27, 2019
December 2, 2019
December 5, 2019
December 20, 2019
December 21, 2019
December 24, 2019
January 7, 2020
January 10, 2020
January 17, 2020
January 19, 2020
January 22, 2020
January 23, 2020
January 31, 2020
February 4, 2020
February 7, 2020
February 17, 2020
February 19, 2020
February 20, 2020
February 29, 2020
March 7, 2020
March 12, 2020
March 13, 2020
March 15, 2020
March 20, 2020
March 20, 2020
March 20, 2020
March 24, 2020
March 27, 2020
March 29, 2020
March 31, 2020
April 6, 2020
April 13, 2020
April 13, 2020
April 18, 2020
April 23, 2020
April 24, 2020
May 1, 2020
May 1, 2020
May 1, 2020
May 5, 2020
May 6, 2020
May 7, 2020
Liam Murphy
August 19, 2020
Tracks in this feature
Tracks in this release
A searing intensity breathes through Devil Dance. Initially we hear tightly-strung vocal samples that push through like pistons, sharply and concisely. Underneath this layer, lower frequency sounds begin to gather to a galloping pace. A rumbling noise throbs rhythmically. The style seems to possess the melodic awareness of hyperpop or nightcore, but Fuuka ASMR’s delivery is akin to something more experimental. The sharpness and disregard with which the samples are treated speaks to a more abstract intention. The sample suddenly starts to proceed through what can only be its intended progression, yet the artist still hammers it down under the sprinting feet of low-end impacts. These feet fade out, leaving the emotive samples to fire out. They brim and spread over each other becoming unkempt, before they are pulled back to their original restraints. All the while, that ominous throbbing continues to shake the foundation of the track. We end with the razor-sharp samples alone, sounding as if the door to some gigantic furnace is opening and shutting incredibly quickly.
Mimidance’s samples are more stretched out, Fuuka ASMR’s manipulation wearing more evidently on the sounds. Voices stretch and struggle as they are sent through an order unrecognisable from their original form. Before long, the sounds are sent into a rapid fire flurry of noise, sounding like the revolutions of some great industrious machine as the artist separates the musicality from the abject dissonance. The volume is brought up suddenly, jarring as the samples whir right in front of our face. The sounds begin to cry out in pain at a certain point before going through their same semi-melodic sequence, shutting off abruptly.
The two-track EP wears a name that is currently under much scrutiny after Spotify’s creation of a hyperpop playlist has resulted in scrambled definitions and almost overreactive division. Fuuka ASMR’s style seems to purposely fly in the face of all of this. The album artwork denotes a scrawled, scatterbrain style, intentionally jarring with the slick and satisfying visual nature of so many new ‘hyperpop’ releases. In their style, the artist delivers a sound that seems to commandeer the speeding up of emotive music and melodies for use in harsh sound art rather than often inoffensive electronic pop.