Jeff T Byrd - Nighty Night
Nighty Night
Jeff T Byrd
December 23, 2021
December 23, 2021
December 16, 2021
December 6, 2021
December 1, 2021
November 11, 2021
November 2, 2021
October 26, 2021
October 20, 2021
September 13, 2021
August 1, 2021
July 10, 2021
June 30, 2021
March 25, 2019
March 25, 2019
May 9, 2019
May 10, 2019
May 13, 2019
May 28, 2019
May 29, 2019
June 11, 2019
June 24, 2019
June 25, 2019
June 27, 2019
July 2, 2019
July 2, 2019
July 12, 2019
July 30, 2019
August 8, 2019
August 23, 2019
August 29, 2019
September 5, 2019
September 10, 2019
September 20, 2019
September 24, 2019
September 30, 2019
October 4, 2019
October 9, 2019
October 10, 2019
October 12, 2019
October 14, 2019
October 14, 2019
October 26, 2019
October 30, 2019
November 4, 2019
November 5, 2019
November 6, 2019
November 11, 2019
November 20, 2019
November 25, 2019
November 27, 2019
December 2, 2019
December 5, 2019
December 20, 2019
December 21, 2019
December 24, 2019
January 7, 2020
January 10, 2020
January 17, 2020
January 19, 2020
January 22, 2020
January 23, 2020
January 31, 2020
February 4, 2020
February 7, 2020
February 17, 2020
February 19, 2020
February 20, 2020
February 29, 2020
March 7, 2020
March 12, 2020
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March 15, 2020
March 20, 2020
March 20, 2020
March 20, 2020
March 24, 2020
March 27, 2020
March 29, 2020
March 31, 2020
April 6, 2020
April 13, 2020
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April 18, 2020
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April 24, 2020
May 1, 2020
May 1, 2020
May 1, 2020
May 5, 2020
May 6, 2020
May 7, 2020
Liam Murphy
November 2, 2021
Tracks in this feature
Tracks in this release
Acidulous production runs through the very artery of the brief but deep dive into the year 2248. The bass hits with such a jagged energy, and the nature of the instrumentation seems to purposely shirk any sort of collaboration. Still, somehow Laura Peñate manages to ride the production with an effortlessness that delivers four infectious tracks. On the opener Autophobia, she battles alongside bass that spits violently, her voice curling and cooing with a dynamic energy. Her delivery matches the intensity at some points, while purposely diverting from it at others - where it skips with a fast delivery over a yawning, predatory pulse.
This sporadic and unpredictable style aligns with the story the artists tell. The songs blare from the speaker of a hovercab as we tiptoe in and out of consciousness, our brain squeezed like a lemon by some futuristic concoction of drugs. Our cyborg chaperone chimes in with the tunes every now and again, as the distant skyline phases in and out of focus and we repeatedly lose and regain a grip on reality. The EP does this hurried atmosphere a great deal of justice. Laura Peñate's vocals are saturated in this fizzling resonance that you can never be sure is an effect of the music or your mind, Rei Low's instrumentation jumps out with unexpected and volatile sounds.
Though the four tracks are incredibly electronic affairs, there is this unshakable feeling that the journeys the tracks take us on are more akin to a full band outfit. Laura's trilling melodies are reminiscent of the winding vocals of much more organic music. Especially on the closer Psywar. There is so much passion driving through her performance that the concept for the EP almost evaporates and it feels as if we are listening to a fully-fledged band project. These vocals are beautifully complimented and supported by Rei Low's precise production style. Gigantic bass hits meeting Laura as she finds her way to a chorus melody, the whole track seems to shudder under the force of this tractor beam shone by Rei Low.
The partnership achieve so much more than a fulfilment of this hypnagogic journey down a futuristic super freeway. The frantic energy of a chaotic dystopia is there, as is the holographic aura of the imagined future. The listener catches glimpses of this cyberpunk creation, but the power of the artists' performances outshine this concept. Not willing to hide behind it, both Rei Low and Laura Peñate lash out with a distinctive sound and an undeniable chemistry.