ホテル shampoo - Colossal Halo
Colossal Halo
ホテル shampoo
February 8, 2022
February 8, 2022
January 31, 2022
January 20, 2022
January 25, 2022
January 10, 2022
December 23, 2021
December 16, 2021
December 6, 2021
December 1, 2021
November 11, 2021
November 2, 2021
October 26, 2021
October 20, 2021
September 13, 2021
August 1, 2021
July 10, 2021
June 30, 2021
March 25, 2019
March 25, 2019
May 9, 2019
May 10, 2019
May 13, 2019
May 28, 2019
May 29, 2019
June 11, 2019
June 24, 2019
June 25, 2019
June 27, 2019
July 2, 2019
July 2, 2019
July 12, 2019
July 30, 2019
August 8, 2019
August 23, 2019
August 29, 2019
September 5, 2019
September 10, 2019
September 20, 2019
September 24, 2019
September 30, 2019
October 4, 2019
October 9, 2019
October 10, 2019
October 12, 2019
October 14, 2019
October 14, 2019
October 26, 2019
October 30, 2019
November 4, 2019
November 5, 2019
November 6, 2019
November 11, 2019
November 20, 2019
November 25, 2019
November 27, 2019
December 2, 2019
December 5, 2019
December 20, 2019
December 21, 2019
December 24, 2019
January 7, 2020
January 10, 2020
January 17, 2020
January 19, 2020
January 22, 2020
January 23, 2020
January 31, 2020
February 4, 2020
February 7, 2020
February 17, 2020
February 19, 2020
February 20, 2020
February 29, 2020
March 7, 2020
March 12, 2020
March 13, 2020
March 15, 2020
March 20, 2020
March 20, 2020
March 20, 2020
March 24, 2020
March 27, 2020
March 29, 2020
March 31, 2020
April 6, 2020
April 13, 2020
April 13, 2020
April 18, 2020
April 23, 2020
April 24, 2020
May 1, 2020
Jeremy Sheehy
March 15, 2022
Tracks in this feature
Tracks in this release
Experimental music has long been obsessed with the sound of the natural world; natural sounds and field recording litter some of the most popular recordings in the genre. Still, not as much attention has been given to the sound of manufactured environments. Many of us spend a large portion of our lives in these manufactured spaces, so it is refreshing when these spaces are explored in music. On BRUTALISM, SEPL+NEAR DARK MATTER manage to translate the hulking physicality of these spaces into sound, providing the listener with a chance to better relate to the areas and materials around them.
From the first moments of BRUTALISM, the listener immediately becomes aware of just how much space these sonic structures contain; every sound is drenched in a deep reverb, implying a monstrously large environment, but an oddly familiar one. Each track of this collection uses a different material to build a sonic representation of the physical space that material would help to create. This allows for a more intimate understanding of these materials; on GLASS the listener can hear a subtle ringing sound, much like tones of a glass harp, while also hearing the deeper resonance of a monolithic glass panel and the slow rain-like sounds of its shattered remains falling into a pile. The rest of the collection follows a similar formula, evoking the natural sounds of each material, allowing them to grow and evolve before reaching their end. Some materials eventually crumble under their own weight while others simply reach their logical end, signifying that nothing is forever; even these hulking structures of sound will one day crumble into dust.
At its heart, BRUTALISM shows an almost spiritual-like reverence to the massive constructed environments of the modern world. These structures are something to be both marvelled at and feared, but most of all, they are something to be understood. Through these soundscapes the listener is granted an opportunity to intimately listen to and experience the materials of the constructed world and hopefully gain a deeper understanding of the places they inhabit.