Vįr+üål Åįrßñß - ▚ ▛ ▜ ▟ ▞
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Vįr+üål Åįrßñß
December 16, 2021
December 16, 2021
December 6, 2021
December 1, 2021
November 11, 2021
November 2, 2021
October 26, 2021
October 20, 2021
September 13, 2021
August 1, 2021
July 10, 2021
June 30, 2021
March 25, 2019
March 25, 2019
May 9, 2019
May 10, 2019
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May 28, 2019
May 29, 2019
June 11, 2019
June 24, 2019
June 25, 2019
June 27, 2019
July 2, 2019
July 2, 2019
July 12, 2019
July 30, 2019
August 8, 2019
August 23, 2019
August 29, 2019
September 5, 2019
September 10, 2019
September 20, 2019
September 24, 2019
September 30, 2019
October 4, 2019
October 9, 2019
October 10, 2019
October 12, 2019
October 14, 2019
October 14, 2019
October 26, 2019
October 30, 2019
November 4, 2019
November 5, 2019
November 6, 2019
November 11, 2019
November 20, 2019
November 25, 2019
November 27, 2019
December 2, 2019
December 5, 2019
December 20, 2019
December 21, 2019
December 24, 2019
January 7, 2020
January 10, 2020
January 17, 2020
January 19, 2020
January 22, 2020
January 23, 2020
January 31, 2020
February 4, 2020
February 7, 2020
February 17, 2020
February 19, 2020
February 20, 2020
February 29, 2020
March 7, 2020
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March 15, 2020
March 20, 2020
March 20, 2020
March 20, 2020
March 24, 2020
March 27, 2020
March 29, 2020
March 31, 2020
April 6, 2020
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April 13, 2020
April 18, 2020
April 23, 2020
April 24, 2020
May 1, 2020
May 1, 2020
May 1, 2020
May 5, 2020
May 6, 2020
May 7, 2020
May 11, 2020
Liam Murphy
June 11, 2021
Tracks in this feature
Tracks in this release
Stairs of synth notes are drenched with rain, swiftly followed by a lower chord that bows out across the expansive landscape before us. Everything sounds soaked on Clown Cleaner, as if it were calling to us from a city street plagued by grey showers. Even as the pitter patter fades out, overtaken by a steady rhythm, there is something in the percussion’s momentum that cascades like water. Glimmering pad chords glide upwards as rays of light begins to break through. Negative Gemini unleashes heavy and resonant drum work, grasping control of the track immediately. The listener feels in motion, as if at the start they were static, watching the downpour, and now they swim through the rainy scene from high above the ground. The feelings of vertigo increase as the artist breaks the percussion, to have it return a little more docile. We soar under our own volition for a short time. Pace and atmosphere are balanced so well, and as we enter back into the rainy realm we are joined by a chirping acid house synth lead and beautifully confident, solitary piano notes that see us to the song’s conclusion. They leave us with a sense of warmth and comfort, as if we are safe at home now, the window to the grey world slowly closing.
House of Trix glides in like a breath of fresh air, the chirping of birds and general sunny sounds set a sharp contrast to the previous track. Junglist beats burst onto the track as euphoric vocals soar majestically above everything else. Casting off the clattering noise of percussion momentarily, Negative Gemini charges forward with a more straightforward rhythm as another acid synth makes an appearance. Beautiful chords shimmer in the distance as we dive with the artist back into the bass-driven rhythms. Those driving lower tones provide the track with a solid foundation, with the majority of the other parts of instrumentation flying high into the air. The melodic aspects of the track are reminiscent of blinding lens flare, or the general shimmering brilliance of a sunny day.
The two sides to Utopia are fairly different, each presenting a contrasting mood and atmosphere. However, in both, Negative Gemini showcases a penchant for placing cacophonous beats as a very central part of the instrumentation. The percussive sections storm in and immediately take control of the tracks, allowing the artist to paint these beautiful tinges of blistering sunlight and cascading showers on top of harsh drums. In a way, the artist conveys two warring utopias, whilst also presenting tracks that are infectious in there pacing and a joy to listen to.